C4 DEADLINE

click THE PHOTOGRAPH  to access to

C3 deadline's products

BACK TO ^^ FIRST PHASE

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Please be patient and wait for a little time in order to let

your browser charge videos and slides !

CLICK ON^^THE PHOTOGRAPH ABOVE TO COME BACK TO THE NBE+ COORDINATION SITE / Follow Up for both participants and coordinators

"AND BEYOND" COOPERATIVE MOBILITY: report, relevance and Quality Control . 

TCA (Transational Cooperative Actity in Montijo): WRITING A DOCUMENTARY MOVIE

Our main intellectual output WP4 

C4 WORKSHOP: ORDERS

SEE BELOW MORE INFORMATION ABOUT THE DOCUMENTARY PROJECT BY THE INTERNATIONAL COORDINATOR AND SOME RELEVANT PROPOSALS PUTTED IN THE IDEAS BOX BY THE PROJECT HOLDERS

SHARING AND TEACHING

 THE DOCUMENTARY FILM 

(our main intellectual output: preparation during C3)

THREE.MISSIONS

- 1 Find the subject / main character(s) and narrative

- 2 Write the script: a pitch then very detailed scenes

- 3 Select the rushes (already existing) that we could use in the final cut, plan the additional filming that we will have to add, decide which scenes can be shot at home (by which partner) and plan the scenes to be shot during the C5 mobility (in Rome).

DEADLINE : 1st and 2nd goals are presumed to be targetted in the framework of the C4 workshops

If the second question is not fully addressed, remote transnational workshops may be set up after C4 located cooperation session. In any case, collaborative tools will be shared to enrich the project and finish addressing the third point.

 Our main intellectual output

(proposals made before the meeting)

THE MAGIC.BOX

presentation by the IC of all the proposals given by the partners in the questionnaire on line (from NBE+ website)

CLICK TO SEE THE CONTENTS ^^ results of the brainstomrings before C4

 Our main intellectual output

REMINDERS OF THE SPECIFICATIONS WE MUST RESPECT & A METHODOLOGY (some leads by the French team)

> SCRIPTS SAMPLES

Click the photograph to open the resource: 

>MAKING OF THE PITCH

LE SCÉNARIO :

ce peut-être une trame très générale, la formulation d'une histoire incomplétement écrite et laissant libre le "réalisateur" (de facto, le monteur) ou  un récit détaillé écrit très en amont (quand le documentaire est extrêmement narratif).

UNE VIDÉO EN FRANÇAIS>

THE SCREENPLAY:

This can be a very general outline, the formulation of an incompletely written story, leaving the "director" (de facto, the editor) free to choose.

Or

A detailed narrative written well in advance (when the documentary is highly narrative).

BEFORE TO PRODUCE THE  DETAILED SCRIPT: YOU MUST WRITE THE NARRATIVE DRAFT (PITCH) 

Some instruction to help students we found online

A link to access to DOCFILMACADEMY   &  Another to NOFILMSCHOOL 

SHARINGS

TOURISM ACROSS FRONTIERS:  WHAT SORT OF IMPACTS? / LISBOA EXPERIENCE by Erika's students

 IN ADDITION : SEE BELOW A MOVIE MADE IN PORTUGAL AFTER A GROUND OUTING (exploration of the local Roman  heritage connected to the TERMINIS MUNDI project)

VOIR DE NOMBREUSES DANSES ET DES CHANTS

DANS LA RUBRIQUE COOPÉRATIONS LOCALISÉES >> OTHER OUPUTS

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